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photographers
Bertram Kober (D)
> artwork
> biography
> shows
> bibliography
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| Bertram Kober, Carrara II, 2005 |
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| Bertram Kober, Carrara III, 2005 |
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| Bertram Kober, Carrara I, 2005 |
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| Bertram Kober, Carrara IV, 2005 |
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| Bertram Kober, Bürgermeisteramt Lößnitz , 1995 |
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| Bertram Kober, Hotel zur Post, Pirna , 1994 |
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| Bertram Kober, Kurhaus Bad Elster, 1995 |
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| Bertram Kober, Flugplatz Oppin bei Halle, 1995 |
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| Bertram Kober, Pin Up, Melaune/Sachsen, 1994 |
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| Bertram Kober, Grafisches Viertel, Leipzig, 1995 |
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| Bertram Kober, Pin Up #14 |
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| Bertram Kober, Leipzig Lindenau, 1993 |
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biography
Bertram Kober (Preise 600 € - 2400 €)
- 1961 born in Leipzig
- 1981 - 1986 study of photography at Hochschule für Grafik und Buchkunst Leipzig, study at Evelyn
Richter and Arno Fischer
- 1988 - 1990 Zusatzstudent an der Hochschule für Grafik und Buchkunst Leipzig
- 1990 Zusatzstudium Kommunikationsdesign an der Gesamthochschule Essen / founder of photagency
PUNCTUM Leipzig, free lance photographer
BERTRAM KOBER - KULPOCHE
or the blue of the distance
The photographies of the cycle KULPOCHE developed within a relatively long period. Biographically seen, they describe the time interval between the first picture results of the Leipziger photograph student up to the recent work as a freelance photographer. Already early, also in the work to the study conclusion, its visual interest in current handling traces of the past, particularly for often devastating going around with historical interior decoration, showed up with valuable built volumes at all. There is excluding Interieurs, which came into the picture, coverings of temporary security, in addition, places, which were thought and conceived as passage situation of anonymous peoples. The altars of the privacy in publicly defined areas, the pin walls and poster promise emergency exits and escape windows from the everyday life.
Carefully regarded, Microdramen in the pictures, whose tragic and at the same time pitiful dimension is out of question, unfold. But: Humans left the stage apparently finally, stay the things used by them as witnesses finally. One however-remains its character to its voidness doubly clearly: Wallpapers curve, tears in the wall burst like wounds up, cables baumeln coincidentally around, antiquated receipt tables and corners flow an atmosphere of icy isolation. The adornment efforts, then also the new word KULPOCHE wants to say, failed. The -nonlived- could not be replaced by motives for longing, empty containers stays. Andreas Krase, 1997
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shows
Bertram Kober / shows
- 1991 Ausstellungsbeteiligung an "Nature morte", Goethe-Institut Paris
- 1992 Ausstellungsbeteiligung an "Ost 89, 90, 91. Momentaufnahmen aus den neuen Bundesländern"
- 1993 Teilnahme an den 2. Internationalen Fototagen Herten
- 1997 Teilnahme mit Kulpoche an der Ausstellung "Lust und Last. Leipziger Kunst seit 1945" im
Germanischen Nationalmuseum in Nürnberg und im Museum der bildenden Künste in Leipzig
- Auszeichnung mit dem Kodak Fotokalender Preis 1997
- 2000 Beteiligung an der Ausstellung "THE IR-REAL OF THE REAL - TEN NEW PHOTOGRAPHERS FROM
EASTERN GERMANY" in Athens (USA)
- Teilnahme an "The Generation of Transition - New Photography from Leipzig" in Housten, Texas
- 2001 Teilnahme an den 10. Internationalen Fototagen Herten
- 2002 Veröffentlichung "Legitime Aspekte des Alltags"
- 2003 Galerie Elten & Elten in Zürich in Küsnacht/Schweiz
- Teilnahme an der Art Frankfurt
- 2004 Fotomuseum Leipzig
- Kunstverein Leipzig
- 2005 Jahrestagung der Deutschen Fotografischen Akademie, Leinfelden Echterdingen
- Teilnahme am Kunstausstausch Leipzig-Bern "The world is not enough"
- 2006 Teinahme an " Leipzig und die Fotografie" Kunsthalle der Sparkasse Leipzig
- Galerie Quartier Leipzig
- 2007 ROOMS - RÄUME mit Georg Hornung, in focus Galerie, Köln
> artwork
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bibliography
Bertram Kober, Monographs
1996 Bertram Kober "Kulpoche. Altäre der Privatheit"
2001 Bertram Kober "Freiheit macht Arbeit"
2007 Bertram Kober "Carrara"
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